Pages

Chandsew 406RB

Chandsew 406RB

Size Matters

Size Matters

Singer 153W103 Industrial

Singer 153W103 Industrial

Singer 316G

Singer 316G

Singer 301

Singer 301
A design revolution for Singer, this light-weight portable is a favorite with quilters. This example dates from 1951, but, interestingly, isn't badged as an anniversary model.

Singer 221- Featherweight

Singer 221- Featherweight
In remarkable condition. This one dates from 1956.

Singer 500A

Singer 500A
Reassembled and polished.

Singer 401A

Singer 401A

Singer 503A

Singer 503A
I've had a number of examples from the 400 and 500 series pass through my hands now, and as testament to their quality, they have all been in very nice condition; none, however, has matched this beauty for its near pristine state of preservation. While even on the cleanest example one must forgive a minor imperfection or two, this classic from Singer exhibits none! Truly as nice as one could hope.

Monday, September 26, 2011

Updates and Outtakes

It wasn't an especially busy week for sewing machines. I did take in a 306W for a general servicing. I hadn't seen one before, so it was nice to have one on the bench for a bit. And I picked up yet another 401A at a garage sale. I've continued with a number of postings on Craigslist of machines I have for sale. And I've been making an attempt at better arranging my shop/office for a better use of space.

The 401A is from 1951. As I've now had a few of these on my bench, I noticed features specific to the year. I don't know these machines well enough to know just what changes were made and when, but a couple of things stood out as I worked on this one: first of all, the top cam-hatch has a decal on it, while later years do not (again, just when these changes occur, I haven't, yet, a clue). I also noticed that the screws used to attach the various adjustment plates are "bright" finished as opposed to the color-matched screws from later years. Little things, but a matter of interest when one delves into these on a fairly frequent basis.

This latest acquisition also had me in mind of some of the tell-tales of a machine's condition and potential value. When evaluating that potential, it's always best to do so before buying, but I'm rather quick to buy and slow to evaluate when, say, hitting garage sales on any given Saturday. It's only after getting my latest find back home that I begin to note any real problems (or lack thereof).

A few clues as to how a machine (in this case Singers from the 400/500 series) may have been treated throughout its life include: the condition of the various screws used throughout. If they show few signs of screwdriver wear, that's certainly a good sign. It means the machine wasn't roughly handled, or in for much servicing.

I now look at the spool pins as well; are they noticeably bent? Straighter pins have seen fewer hours of use. Are they yellowed with age and exposure? I like to see whiter/clearer spool pins (these are the plastic pins).

Perhaps most importantly, for me, is the condition of the machine's interior. This is where one can usually determine something about the life a machine has had. Clean, dry surfaces without any signs of grease and oil are always something I like to see. This latest 401A seems to have never been in for service; clean, dry and unmarked.

Of course, the condition of the exterior is very important. And here, too, this one is near perfect. While a few scratches or chips are the norm, and don't have too great an impact on resale value, a machine with no discernible flaws warrants an escalating premium. Here is a machine worthy of special consideration.

You can image the satisfaction there is in freeing from years of dirt, grime and disuse, a marvelous machine in near like-new condition.

4 comments:

  1. Nice collection of machines. It's impossible to resist the practicality and beauty of older sewing machines. One that stands out - that Pfaff 130!!!!!

    ReplyDelete
  2. That Pfaff 130 is a monster! I'm not sure how practical it is in this configuration. I'm contemplating a more conventional setup with single upper tension and a standard needle clamp.

    ReplyDelete
  3. I'm concerned that your infatuation with these beautiful machines might be contagious. My then fiance and I put our money together in 1978 to buy a new Kenmore 158.19412, but after she made her wedding dress, and those for the bride's maids, she only rarely touched it. I've recently discovered the pleasure of making it run again after sitting unused for 10 or more years. I bought a Viking Husqvarna 6460 that the seller described as "frozen", and it's to be delivered today. It was sold with the extension table, cam A, and a case, but nothing else. I want my next machine to be a 500A; that is a beauty, and I never saw one like it before. You say you polished it; what did you use? Well, I'm quite fond of the display of machines on this page; really nice job.

    ReplyDelete
    Replies
    1. I've never worked on a Kenmore, but your model 158 has quite a reputation with those who's projects include heavier fabrics.

      Careful with that "frozen" 6460! Do not force the stitch-selector knob! I have a beautiful 6460 in great condition with everything. Fantastic machine... But! a previous owner forced a frozen stitch selector and broke a tooth on one of its gears. There is a workaround, but the thing to do will be to replace the mechanism. The part cannot be bought new; I'll need a donor machine.

      You should remove that stitch-selector mechanism and work it free while out of the machine. Not an easy job, but not impossible to do yourself.

      Delete