Buying, selling, servicing, using... thoroughly enjoying these marvels of mid-century domestic engineering.
Chandsew 406RB
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Singer 153W103 Industrial
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Singer 503A
Saturday, May 18, 2013
New Directions
My interest in vintage sewing machines has taken a turn; I'm now enjoying those machines intended for industrial use - more specifically, those used for sewing leather.
My wife,Mary, was given quite a bit of upholstery leather and, in order to get the most out of it, I picked up a Consew 206RB-3 walking-foot industrial; not what one would call vintage, necessarily, but an older and well-made machine. Unfortunately, it took up more space than I felt able to allot it at the time and I sold it to a sewist who will make great use of it. I'm now back in that market, looking for another compound walking foot (I've since made room in my hobby room by lightening my collection of vintage domestic machines) after seeing Mary turn out a couple of leather pillows on her Singer 316. How much easier it would be to do that on a walking foot! I sometimes kick myself for having just sold the Consew before this revelation.
You'll note at the top of this page photos of my latest acquisition, a 1944 Singer 29K60 Patcher. I intend to run a few simple leather projects through this machine, but even if it doesn't prove practical, it's been fun to work on, a chance to learn something new, and reason to keep my hands in the game.
I learned early on that while collecting vintage sewing machines was an easy and enjoyable hobby, collecting cabinets wasn't a practical part of the plan; there was certainly no room for the many cabinets, tables and desks that came with the many machines that passed through my hands.
So, vintage industrials? Yes, with a nod to the obvious: no room at all for industrial-size tables with their massive weight and near immobility. I believe I'll have to focus on what enjoyment there might be in bringing the once tried and true, now old and tired, back to life, and see that they make their way into the hands of those who can make good use of them. I may keep one or two for the projects I'd like to do, but no collecting this time. I see a slower, more deliberate pace, and if I'm able to garner the fruits of light labor, in the way of a few successful projects in leather, then I'll count myself lucky to have taken this new path.
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Maybe you could build a 'mutt' table that can be used for many of the machines, with small adjustments to the top (inserts). One table, several heads, more space.
ReplyDeleteThat's an interesting idea. As a matter of fact, I just sold a Yamatori overlock that had a base in which it sat, while the base would have been bolted to a table. I wondered if this was to have different Yamatori machines using the same base on just the one table.
DeleteVintage industrial machines with the same table-top cutout requirements might use the same table. Seems like a smart solution.
The Singer 29K60 pictured at the top of this blog is of a different configuration, as you can see. It can sit on a table top (rather than "in" it). It would have had as an original option a substantial treadle base - all in iron. For this machine, I may attempt to transfer the balance wheel to the front (also an option with this machine) and use a knob (missing) for hand-powered operation. The original base is hard to find and expensive. Perhaps I could rig a domestic treadle to power it.
Thanks for the suggestion!
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Hi Ian. I was attracted to your blog because I also have a Singer 72W12 Hemstitching machine. It has been a while since your post in 2013 about your machine. Do you still own your machine? I need to have an electrical plug installed in order to run mine (it keeps flipping the circuit breaker when I turn it on) but I'm excited to get mine running soon! I make heirloom clothes for children among many other things and wondered if you had any advice for running, adjusting and general operation of the hemstitcher. Thanks! Melanie 5/18/2024
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